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Her gown was minimalist compared to those concoctions of boning and lace of long ago, she reflected, but that did not stop it from getting caught on 134 brambles and twigs. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition. “Anna!” she repeated.

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