From then on he was Ruth's dog. 32 The curtains and tapestries had appeared over the windows before Marina had died, growing moldy from the dampness and the oils of lavender, clove, and clary sage soaking them. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects.
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