" Jonathan, who was engaged in conversation with Blueskin, instantly arose, and bowed with cringing ceremoniousness to the knight. If Ray left the house, it would be easy. Spurlock knew that somewhere along the way he would write a story worth while. And like that gospel it meant something, something different from its phrases, something elusive, and yet something that in spite of the superficial incoherence of its phrasing, was largely essentially true. Phillips Oppenheim’s most intriguing stories.
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